Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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Tintoretto Vulcano sorprende a Venus y Marte oil painting


Vulcano sorprende a Venus y Marte
mk79 A finales del siglo XVI
Painting ID::  32528
Tintoretto
Vulcano sorprende a Venus y Marte
mk79 A finales del siglo XVI
   
   
     

Tintoretto Recreation by our Gallery oil painting


Recreation by our Gallery
mk79 About 1557
Painting ID::  32572
Tintoretto
Recreation by our Gallery
mk79 About 1557
   
   
     

Tintoretto Recreation by our Gallery oil painting


Recreation by our Gallery
mk79 About 1557
Painting ID::  32573
Tintoretto
Recreation by our Gallery
mk79 About 1557
   
   
     

Tintoretto Brazen Serpent oil painting


Brazen Serpent
1575-76 Oil on canvas, 840 x 520 cm
Painting ID::  32656
Tintoretto
Brazen Serpent
1575-76 Oil on canvas, 840 x 520 cm
   
   
     

Tintoretto Glorification of St Roch oil painting


Glorification of St Roch
1564 Oil on canvas, 240 x 360 cm
Painting ID::  32657
Tintoretto
Glorification of St Roch
1564 Oil on canvas, 240 x 360 cm
   
   
     

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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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